Embark Expansion to Open in April

We are pleased to announce that Embark Arts is expanding! Embark Gallery will be closed for the month of March for construction as we tear down our north facing wall of the gallery to extend our space to the end of the building! The gallery will grow by a couple of hundred feet gaining another window and the rest of the space will become a new conference room that will be available to rent through Fort Mason. 

We will reopen in the month of April with a celebratory juried show called Spread, named for the growing space and programming that we are rolling our this year! We look forward to sharing our new space with you as well as all of the programs we have planned for its future!

Embark Gallery Opens Get Lost Exhibition

Local Emerging Artists Present Contemporary Perspectives on Queer Identity

Simon Garcia-Miñaur, Welcome to Introduction to Fractal Sex (Video still), 2015, HD video, Single Channel

Simon Garcia-Miñaur, Welcome to Introduction to Fractal Sex (Video still), 2015, HD video, Single Channel

Inspired by philosopher Herbert Marcuse's notion of "the great refusal," Embark’s latest exhibition Get Lost showcases contemporary takes on queer identity politics. By challenging the representational imagery that queer art is perhaps best known for, these artists present a new understanding of the self through displacement and absence, suggesting that queer activism in the digital age may take more nuanced forms of expression.

The video work of Simón Garcia-Miñaur (SFAI) features the inaccessible body, mystifying the shared sexual experience and using technology to speak to invisibility in queer relationships. These short fiction films deny the viewer access to their preconceived notions of human interaction and sex, further queering the queer body through digital rendering. Courtney Trouble (CCA) also uses techniques of erasure politically, literally grinding up photographs of queer bodies and spaces into dust. Through this transformation of subject to object to abstraction, she takes the medium of photography which is so essential to the history of queer art, and makes it fragile, fleeting and thoroughly unrecognizable.

Izidora Leber (SFAI) presents a textual piece in several forms: spoken word, video and installation. The work, titled A rumination of the queer body in documentary and video making history - and suggestions of how to get lost as a concept for identitarian escape is informed by the idea of hybridity and aims to disrupt normative categorizations of identity. Richard-Jonathan Nelson challenges the assumed roles of black queer bodies via vibrantly colored textiles. His digital collages and soft sculptures refuse heteronormative ideals and present a multifaceted and nuanced perspective on queer masculinity and racial power structures in the queer community.

This exhibition was juried by Avram Finkelstein, a founding member of the collective responsible for the Silence=Death poster, and of the art collective, Gran Fury, with whom he collaborated on public art commissions for international institutions including The Whitney Museum of American Art, The Venice Biennale, ArtForum, MOCA LA, The New Museum, and The Public Art Fund.


Embark Gallery offers exhibition opportunities to graduate students of the Fine Arts in the San Francisco Bay Area. We provide a space for an engaged community of artists, curators and scholars, and we aim to expand the audience for up and coming contemporary art. The juried exhibitions are held at our gallery in San Francisco at the historic Fort Mason Center for Arts & Culture.

Press Preview: Wednesday, January 25 [by appointment]

Opening Reception: Friday, January 27, 5-9 PM

Hours: 12–5pm every Saturday and Sunday from January 28 to March 4, and during the week by appointment.

 

 

Media Contact:

Tania Houtzager

tania@embarkgallery.com

Now Accepting Submissions for Spring 2017!

DEADLINE: February 12th!

Embark is pleased to announce 3 new opportunities: two exhibitions for current MFA students and one film and video night, which is open to any and all emerging local artists!

Apply now at Embark Art's application portal on SlideRoom! 

FREE to Apply


SPREAD

April 7- May 7

In honor of Embark’s upcoming expansion, this exhibition will explore the theme of growth. Embark calls for artworks that address change, improvement, transformation, transition, multiplying, metamorphosis and/or modification. Subjects can include but are certainly not limited to the body, form, technology, politics and culture, or the history of art. For example, consider borders in terms of nationalism and globalization, or the spread of viruses and growth of parasites.

All media will be considered, and large installation pieces are specifically encouraged for this show. Apply now!


F

May 19- June 18

As students earn their degrees and celebrate their success, Embark explores the theme of FAILURE. Embark calls for a broad range of artworks that address inadequacies, deficiencies, and failings, either personal, political or aesthetic. Consider social or political failures, the failure of the individual in the face of larger structures, or even the failure to fit societal norms. These are just a few examples. All media will be considered, including performance.   Apply now! 

 


Frame(s)

Date TBD

Frame(s) is an recurring one night film and video art event at Embark Gallery. Please apply with film or video work under 20 minutes long. We are currently accepting works in a broad range of subject matter and style.

IMPORTANT: For Frame(s) we are accepting submissions from any and all emerging artists who are local to the Bay Area, meaning you do NOT have to be enrolled in an MFA program at one of the 8 institutions Embark serves to apply for Frame(s.)  Apply now!

 

Embark is accepting submissions until February 12, 2017.

We look forward to seeing your work!

 

 

 

 

Press Release for #simulacra

For Immediate Release: 

October 3, 2016

Embark Gallery Opens #simulacra Exhibition

Local Emerging Artists Question Reality in Provocative Photography Show

Image: Mike Cole. Big Rock, 2015.

Image: Mike Cole. Big Rock, 2015.

Embark Gallery’s newest exhibition, #simulacra, asks how Jean Baudrillard’s philosophical treatise “Simulacra and Simulation” is relevant in the digital era. We live in a visual culture in which it is increasingly easy to participate. Images are all-important, and no longer mere symbols of truth. As Baudrillard predicted, reality itself has begun to imitate what was once its model. This medium-specific show explores signs, memory and documentation from a diverse sampling of perspectives.

Mike Cole and Jacqueline Sherlock Norheim both stray from traditional photography, utilizing the mark of the artist’s hand in two different takes on landscape, one manufactured and pixelated, the other ethereal and ephemeral. Shisi Huang’s video piece addresses voyeurism and the blurred line between public and private realities in an age where we are often being recorded. Marcela Pardo Ariza’s playful photographic sculpture references the unraveling of the meaning of images in the contemporary moment, whereas Qian Zhao’s deliciously colorful prints evoke a surreal nostalgia. Tamara Porras investigates the past without nostalgia, exposing how photographs can take on a new life of their own once those pictured are gone. Shaghayegh Cyrous’ work is planted firmly in the present, taking the form of a live feed from an apartment in Tehran, Iran. The piece references the malleability of time and place made possible by new technologies and questions the nature of reality in an increasingly global world.

This exhibition was juried by Julie Casemore of Casmore Kirkeby Gallery, and Allie Haeusslein of Pier 24 Photography.

Hours: 12–5pm every Saturday and Sunday from November 5 to December 17, and during the week by appointment.

Press Preview: Wednesday, November 2 [by appointment]

Opening Reception: Friday, November 4, 6–9pm

Media Contact:

Tania Houtzager

tania@embarkgallery.com

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"Make America Colorful Again" Coloring Books

We're excited to announce that in conjunction with Humor US, "Make America Colorful Again" coloring books will be for sale at Embark Gallery! Artist Joey Yang will also provide a coloring station at the opening reception, as catharsis for your feelings on the upcoming election.

"I made a Donald Trump coloring book. It's badly drawn because I think it reflects his character." 

"I made a Donald Trump coloring book. It's badly drawn because I think it reflects his character." 

Read more about the project on its fundraising page, and don't miss the chance to snag one! Proceeds will benefit the International Institute of the Bay Area, a non-profit that provides high-quality, low-cost immigration legal services to the Bay Area community.

Embark’s New Writing Fellowship Program seeks impassioned authors to write about Embark programming

Embark is happy to announce an exciting new opportunity for writers. Are you an art historian, critic, academic or an artist with a creative writing practice? Apply now! DEADLINE: September 22nd at midnight

We are looking for critical essays, art historical analyses, artist interviews, journalistic pieces, and creative writing to include in our published exhibition catalogs. Students will get valuable experience in working with a professional gallery, meet and network with other artists and writers from local institutions and learn best practices for creating content for exhibition catalogs. Embark will publish and publicize the writing of these fellows and also provide a small working stipend of $150.

We have 2 openings for the Fall 2016 Writing Fellowship Program. Each fellow will be responsible for 3 pieces of writing (1000-3000 words each) throughout the semester, covering our upcoming exhibitions Humor US and #simulacra.

To Apply

To Apply to the Fall 2016 Embark Writing Fellowship, please reply to info@embarkgallery.com with the Subject Line: “Writing Fellowship” and the following information:

1) Your full name, school, and expected graduation date.

2) At least 1 short proposal for a piece of writing about each show. Show descriptions and participating artists can be found here for Humor US, and here for #Simulacra.

3) A short (1-2 page) example of an art related essay, article or interview you have done in the past. Excerpts of longer work also accepted.

Embark Gallery Opens “Humor US” Exhibition

For Immediate Release

August 25, 2016

Humor US features seven artists using levity to address political issues in the run up to the 2016 elections

Nathan Becka. Civility Pedal, 2015

Nathan Becka. Civility Pedal, 2015

Humor US will be on view from September 9-October 22, 2016, with an opening reception on September 9 from 5-9pm. This exhibition considers philosopher John Morreall’s definition of humor as “amusement that takes pleasure in a cognitive shift.” Indeed, much of what we find laughable also allows us to think differently about people, ideas, and states of being. Yet, in light of the current election season, humor can also function as an aggressive act of power and cause destructive effects. The graduate students featured in Humor US utilize comicality as a medium to reflect on the world outside of academia in the new upcoming presidential tenure. Through installations, videos, and photographs embedded with wittiness, the artists display personal experiences of disenfranchisement, criticisms regarding the American Dream, and platforms for positive social and political change made possible by the simplicity of simply listening to one another.

Jin Zhu. El Requerimiento, 2015, video.

Jin Zhu. El Requerimiento, 2015, video.

Jin Zhu’s video piece sets the tone for the exhibition by providing viewers with a historical context and well-trodden path associated with Western politics––the disruption and marginalization of the “other” by the white male.  Douglas Angulo's video piece, and his deafening stare within it, builds on Zhu’s concepts and asks us to take a hard look inward to consider how we form and project identity, and construct misconceptions of identity. The work of France Viana and Hui Meng Wang question what it means to step in and out of traditional and individual identity in a photographic exploration and video piece, respectively. Viana searches for answers in the neighborhoods of Filipino Americans and confronts their political values. In a satirical commentary on the emerging Chinese middle class, Wang’s video investigates the disconnection between their idealized lifestyle and actual reality that is increasingly shaped by the political and social interests of the West.  Nathan Becka's objects and the installation of Kaitlin Trataris mock the blind acceptance that follows campaign endorsements and empty promises given by both powerful figures and everyday citizens simply due to the chase of the American Dream. Finally, it is Boris Scherbakov’s sound installations that presents viewers with some answers while grappling with the current political elections: to truly embrace our everyday surroundings and focus on conversations that lead to greater cultural and political understanding.

This exhibition is curated by Tanya Gayer (CCA), whose proposal was selected in Embark's recent call for curatorial proposals from Bay Area graduate students.

Artists in this exhibition include: Douglas Angulo (SFAI), Nathan Becka (CCA), Boris Scherbakov (Mills), Kaitlin Trataris (SFAI), France Viana (Mills), Hui Meng Wang (SFAI), Jin Zhu (UC Berkeley).

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Opening Reception: Friday, September 9th, 5-9pm

Open Hours: Saturdays, September 10th-October 22nd, 12-5pm or by appointment during the week

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Following Humor US, the exhibition #simulacra will be on view from November 5th to December 17th, 2016. For this exhibition, artists were asked to submit works that the increasingly visual culture we live in where images are all-important, and are no longer mere representations of truth. This photography show, juried by Julie Casemore and Allie Haeusslein, is an exploration of reality vs model, signs, place, and memory.

From January 28th to March 4th, 2016 the gallery will host Get Lost, an exhibition inspired by philosopher Herbert Marcuse's notion of "the great refusal.” Get Lost showcases contemporary takes on queer identity politics by challenging the representational imagery that queer art is perhaps best known for suggesting that queer activism in the digital age may take more nuanced forms of expression.This exhibition was juried by Avram Finkelstein.

Embark Gallery, a 1,500 sq. ft. non-profit art space that opened in February 2015 and located in Fort Mason Center for Arts and Culture, helps create and support an engaged community of young artists, curators and scholars during their studies and as they leave their graduate programs. We assist students to embark on their professional careers, while expanding the audience for up and coming contemporary art. The gallery represents the diversity of the talented artists studying at eight local art institutions including California College of the Arts, Mills College, San Francisco Art Institute, San Francisco State University, San Jose State University, Stanford University, University of California, Berkeley and University of California, Davis.

For more info go to EmbarkGallery.com

 

Media Contact:

Tania Houtzager

Tania@Embarkgallery.com

 

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